
20 May 2026
Perfect perspectives in Up and Down
Escher’s fascination with the possibilities of perspective is already evident in his early prints. In these works, he combines the rules of classical perspective with an extreme vantage point. Later, he began to experiment more and used the rules of perspective to mislead viewers. In these works, the perspective lines are straight, but Escher realised that, in actuality, a curved line corresponds more closely to what our eyes see. In Up and Down, he achieves perfection in the application of curved perspective.











