Information about our location at the Lange Voorhout and how to get there.
Tuesday to Sunday: 11.00 – 17.00
The cash register closes at 16:30, the museum shop closes at 16:50
An overview of our admission tickets and accepted discount passes.
How to depict infinity on paper? This was a question that exercised the minds of both M.C. Escher and Albert E. Bosman. Albert E. Bosman (1891-1961) was a multitalented engineer who was keen to make mathematics and geometry accessible. He was not only a maths teacher, but also an enthusiastic artist who drew inspiration from his area of expertise. Bosman and Escher were neighbours in Baarn (NL) from 1944 to 1961. They shared a deep fascination with mathematical concepts and both explored limits and the finite and infinite in their work.
From 18 March to 7 September, Escher in The Palace exhibits a special loan, namely a carefully written letter from Escher enthusiast Hendrik Dekker. In the letter, he expresses his admiration for the print Reptiles (1943). The handwritten response by Escher himself is also on display.
Did you recently visit Escher in The Palace? Your experience and opinion are very important to us, which is why we would like to ask you to participate in our online visitor survey. We will use the results to further improve the visitor experience at the museum.
The management of Escher in The Palace is delighted at The Hague city council’s decision to grant a credit facility for the costs of redesigning the former US embassy on Lange Voorhout in The Hague to house the museum. This represents a first step towards its evolution to a fully-fledged museum accessible to all. The European tendering procedure for the design of the new museum will be launched shortly.
Escher was a printmaker, but what exactly is that? Read the pages below to find out more about the techniques he used: woodcut, wood engraving, linocut, lithography, etching and mezzotint. Each of them has its own particular qualities, so the prints made using these techniques differ in terms of their complexity and visual character.