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Escher in 2020
5 January 2021

Escher in 2020

2020 has passed. A year no one will ever forget. But even in this crazy year, we brought you many stories about the life and work of M.C. Escher. All the images we used are collected in this video.

We thank everyone for your attention this year and onwards to a hopeful 2021!

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Erik Kersten

Erik Kersten

Editor

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The murals at Tolsteeg cemetery

The murals at Tolsteeg cemetery

Contacts had been established earlier that year, but in December 1957 it was officially ratified: by order of Utrecht City Council, Escher was allowed to make a mural for the auditorium of the reception building of Tolsteeg cemetery. In the autumn, he was approached by the municipal council to make a design. The reception building had very recently been renovated and the municipal authorities thought there was room for some aesthetic improvement too. The advisory committee for Visual Arts and Applied Sciences decided to delegate the task to the graphic artist M.C. Escher. He welcomed the assignment and set straight to work.
The Cattolica di Stilo

The Cattolica di Stilo

On his journeys through untouched parts of Italy in the spring and summer, enjoying himself was not Escher’s only aim. These hikes were also very much geared towards preparing for prints that they might inspire. During his travels, he took numerous photos which he pasted into a photo album, adding a note about them in his diary. They are memories of a beautiful journey, but in many of those photos, you can also recognise the landscapes that would go on to feature in his work. In the spring of 1930, Escher made a journey through the region of Calabria that proved very fertile. The tour took in such as Palizzi, Morano, Pentedatillo, Stilo, Scilla, Tropea, Santa Severina, Rocca Imperiale, and Rossano and yielded no less than 13 prints.
Giovanni Battista Piranesi

Giovanni Battista Piranesi

9 November 1778 saw the death of Giovanni Battista Piranesi, the Italian artist and architect regarded as the greatest graphic artist of his time. His fame was primarily due to his Vedute di Roma, a series of etchings with impressive views of the ruins and monuments of Rome. But above all it is Piranesi's famous fantasy prints about prisons, the Carceri d'Invenzione, that continue to appeal to the imagination so much to this day. Escher was a great admirer. When he moved to the Swiss town of Château-d'Oex in 1935, he hung a number of prints by Piranesi in his studio. As if he wanted to keep the memory of his old home town alive. The main thing these two artists have in common is their staggering imagination.