Playing with puzzles

Escher said this in the long interview with journalist Bibeb, printed in weekly magazine Vrij Nederland on 20 April 1968. He was known to many as a serious and straightforward artist, but this quote once again makes things less clear-cut. Yes, he made art that had to be experienced with the head as much as with the heart, but the element of play was just as important. He looked at the world with wonder, like a child absorbed in a game. He could spend weeks, even months, fleshing out a playful idea for a print. Like a puzzle that slowly reveals its secret. When he was working on a print, he would forget the world around him. It is therefore unsurprising that doing puzzles was so popular again in this era. It was a way to forget the real world and to submerge oneself in a completely different one.

His tessellations are of course the ultimate puzzles, jigsaws comprising pieces that he first had to come up with himself. In the same interview, he said:

And in his book The Regular Division of the Plane, which was published by the De Roos foundation in Utrecht in 1958, he says:

Play recurs in manifold ways in his life and work, be this through devising interlinking animal figures, playing with illusions on a flat surface, playing with his children, and playing with his thoughts. As a child he often played word association games, connecting two completely random words by coming up with intermediate steps*.

Many years later he made the leap from word associations to shape associations by blending figures in his first Metamorphosis. Once he was a father himself, he often read to his children. Grimms’ and Andersen’s fairy tales were favourites. As was a book from his own childhood, which contained a story that served as the basis for his 1956 print Castle in the Air. He also read stories from The Jungle Book by Rudyard Kipling, from Winnie the Pooh, Nils Holgersson, Jules Verne, and Dik Trom**. He also built mazes and marble runs for them in their home in Rome***.

A final quote from the interview:

In short, doing puzzles with Escher in these times is a perfectly acceptable pastime. Play is not a waste of time, but important for people. Lose yourself in the thousand pieces of Reptiles, Waterfall, Convex and Concave, Day and Night, Three Worlds or Hand with Reflecting Sphere and experience something of what it must have been like for Escher to piece together his print.