Prepare to be amazed by the works of M.C. Escher

How to depict infinity on paper was something that fascinated both M.C. Escher and Albert E. Bosman. Albert Bosman (1891-1961) was an engineer and maths teacher who also became an artist. Mathematics lay at the core of his work. Bosman and Escher were neighbours in Baarn (NL), where they bonded over a mutual interest in mathematical shapes, ideas and principles. The two artists made abstract principles visually accessible to a wider audience. 

The sculptures of Jehoshua Rozenman (b. 1955) are not as they first appear. They look robust, monumental, but they are in fact made of fragile glass. These mysterious pieces resemble impossible, secretive buildings that seem to come from another dimension. It is in the tension between fantasy and reality that Jehoshua Rozenman and M.C. Escher meet. This summer, for the first time, Escher in The Palace will combine the two-dimensional world of Escher with the two- and three-dimensional work of Rozenman.

From 18 March to 7 September, Escher in The Palace exhibits a special loan, namely a carefully written letter from Escher enthusiast Hendrik Dekker. In the letter, he expresses his admiration for the print Reptiles (1943). The handwritten response by Escher himself is also on display.

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Escher was a printmaker, but what exactly is that? Read the pages below to find out more about the techniques he used: woodcut, wood engraving, linocut, lithography, etching and mezzotint. Each of them has its own particular qualities, so the prints made using these techniques differ in terms of their complexity and visual character.