Escher in 2017

21 December, winter begins. Not Escher's favourite season, although during this time of the year he was most productive. He had no choice, there was nowhere else to go. For years he would travel during spring and summer and these trips would bring him inspiration for his prints. During autumn and winter, he would use his travel drawings and photo's for new woodcuts, wood engravings and lithographs. But the cold and snow that accompanied the winter months did not appeal to him much.

December 1938 is an ice-cold month in Brussels. A perfect setting for a little woodcut (18 x 14 cm) which Escher created shortly before for the Dutch critic and poet Jan Greshoff, who also lived in Brussels. For his 50th birthday on 15 December 1938, Greshoff’s friends offered him this woodcut, showing a wintry Brussels with his own house as a shiny beacon.

On 12 December 1934 the Dutch Historical Institute in Rome hosted the opening of an exhibition with paintings and drawings by Otto B. Kat (a personal friend of Maurits) and woodcuts and lithographs by M.C. Escher. Despite the rainy conditions, interest in the opening was huge. Fascism’s grip on Italian society was growing stronger by the day and this exhibition seemed to be used by many as counterbalance. World leaders as well as religious authorities were present, as were several directors of foreign institutions, museum directors, artists and critics.