The Brexit labyrinth

Since the Brexit referendum on 23 June 2016, the United Kingdom has been in a constant state of uncertainty about the future of the nation and its relationship with mainland Europe. Last Friday was B-day but even that deadline was not met. Theresa May, the prime minister who should have steered everything in the right direction, turned out to be the direct object of this confusion. Although the mood around Brexit is still very pessimistic, there is one group of professionals that is getting some fun out of it. For almost three years the cartoonists have been producing an inexhaustible stream of political prints on Brexit. And M.C. Escher has been playing a notable role in this.

After all, it turns out that a number of his prints can serve as a wonderful metaphor for this confusion and for the continuous repetition of moves characterising the process. Relativity is perhaps the most obvious one. Escher himself described the labyrinth in which several realities co-existed as follows:

Perpetual Brexit

The Brexit cartoons this was turned into depict Theresa May walking through these worlds, looking for the exit and some understanding. She also symbolises the Leavers and Remainers. Both groups live in their own world in which little understanding exists for the reality of the other. In the third print, the labyrinth of Relativity symbolises the mind of Paul Dacre. This former editor of the Daily Mail campaigned long and hard against EU membership for years and saw the result of the referendum as his most important legacy.

The other print that is repeatedly used by cartoonists is Ascending and Descending. The perpetual staircase on which both ascenders and descenders run their laps without ever getting anywhere is a metaphor that is possibly even stronger than the one in Relativity. Escher was inspired by the British (yes, indeed) mathematicians Lionel and Roger Penrose, but it is mainly the lithograph that he made of it that has remained in the collective memory.

The third print is Möbius Strip, named after a mathematical principle that was first described in 1858, but which is still best known through Escher’s versions of it. Just like the stairs in Ascending and Descending, this path has no end at all. We hope that the British will be able to make up their minds soon.