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The White House
9 February 2019

The White House

Escher’s first solo exhibition was held in the United States, in the Whyte Gallery in Washington, in October and November 1954. It was an initiative of the American Charles Alldredge, who had become a fan and collector after reading articles about Escher in magazines Time and Life in 1951. The two started corresponding and Alldredge went on to become something of a manager of Escher’s interests in the US.

M.C. Escher, Relativity, lithograph, July 1953

M.C. Escher, Relativity, lithograph, July 1953

M.C. Escher, Convex and Concave, lithograph, March 1955

M.C. Escher, Convex and Concave, lithograph, March 1955

After the successful exhibition in the Whyte Gallery, he became increasingly busy looking after those interests. His workload increased considerably in 1956. Alldredge was asked to cooperate in the election campaign of Senator Estes Kefauver, who was attempting to become the Democratic candidate for the presidential election. Escher wrote about this in a letter to son Arthur dated 12 February 1956:

The White House in 1952

The White House in 1952

'I am very happy about a fat cheque I received from Washington. It pays off everything my art dealer owed me and means I can do more business with him. The sale of exactly 150 prints since my first foray into the US market is a nice result, and has earned me a total of $2,215. Without a doubt, I owe it all to the as yet unsurpassed Alldredge, with whom my correspondence continues. He sometimes tells me all sorts of things about his work and personal life. He earns his living (a decent living, from what I hear) by writing the speeches that his powerful “boss”, Senator Kefauver, is increasingly having to give now he is a candidate for the presidency. He is from the same party as Stevenson, so actually more or less anti-Eisenhower. I doubt Kefauver stands a good chance, but as Alldredge wrote to me: “if we succeed, then your prints will be hanging in the White House”.'

President Eisenhower suffered a heart attack in September 1955 and for months it was unclear whether he would go for a second term. The Democrats smelled an opportunity. Dutch newspaper 'Nieuwsblad van het Noorden', 14 January 1956

President Eisenhower suffered a heart attack in September 1955 and for months it was unclear whether he would go for a second term. The Democrats smelled an opportunity. Dutch newspaper 'Nieuwsblad van het Noorden', 14 January 1956

But when Eisenhower announced he would indeed run again, the tables turned. The president was immensely popular and it would be very hard for the Democratic candidate to defeat him. Dutch newspaper 'De Volkskrant', 1 March 1956

But when Eisenhower announced he would indeed run again, the tables turned. The president was immensely popular and it would be very hard for the Democratic candidate to defeat him. Dutch newspaper 'De Volkskrant', 1 March 1956

At first Kefauver won several primaries, invoking a counter movement within the Democrats to reappoint former president Truman. Kefauver was seen as too independent and too liberal. Dutch newspaper 'Algemeen Handelsblad', 28 March 1956

At first Kefauver won several primaries, invoking a counter movement within the Democrats to reappoint former president Truman. Kefauver was seen as too independent and too liberal. Dutch newspaper 'Algemeen Handelsblad', 28 March 1956

Kefauver accepts his loss and supports Stevenson from this moment on. Dutch newspaper 'De Volkskrant', 1 August 1956

Kefauver accepts his loss and supports Stevenson from this moment on. Dutch newspaper 'De Volkskrant', 1 August 1956

After losing the nomination the Democratic Committee appointed Kefauver as vice presidency candidate for Stevenson. Together they appeared on this badge.

After losing the nomination the Democratic Committee appointed Kefauver as vice presidency candidate for Stevenson. Together they appeared on this badge.

A second badge from the general presidential elections.

A second badge from the general presidential elections.

In the end, Kefauver lost the nomination battle to Adlai Stevenson, who in turn lost by a significant margin to the incumbent Republican president Dwight Eisenhower. The candidates had been in this situation before, as in 1952 Kefauver had already lost to Stevenson, who had already been defeated by Eisenhower. As Escher suspected, Kefauver did not stand a chance. Yet it is interesting to speculate about the presence of Escher’s prints in the White House. During those years he produced works such as Relativity, Convex and Concave, Order and Chaos II and Print Gallery. Prints that lend themselves well to being construed as metaphors for the laborious communication, misunderstandings, navel-gazing and labyrinthine chaos of American politics.

M.C. Escher, Order and Chaos II (Compass Card), lithograph, August 1955

M.C. Escher, Order and Chaos II (Compass Card), lithograph, August 1955

M. C. Escher, Print Gallery, lithograph, May 1956

M. C. Escher, Print Gallery, lithograph, May 1956

Erik Kersten

Erik Kersten

Editor

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50 years of 'De Grafische'

50 years of 'De Grafische'

A large exhibition was held in the Stedelijk Museum in February 1962 to celebrate the 50th jubilee of De Grafische, the association for the promotion of graphic arts. Naturally, Escher participated, as did his friend Gerd Arntz and many other fellow graphic artists. It was not exactly the first time that graphic artists were exhibiting together and under the name of their association, but they had never done so as lavishly as they did for the jubilee exhibition. Under the title ‘Print’, 300 works were displayed at the Stedelijk Museum.
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Het bezwaarde hart - The Burdened Heart

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Flying fish, birds and boats in Haarlem

Of all the themes and subjects Escher had tackled during his career, the one he was most drawn to was the regular division of the plane. He engaged in countless experiments to examine the many ways in which a plane could be filled with patterns of geometric shapes. He did so in drawings in notebooks. In the process (and this embodies Escher’s great strength) he managed to bend these geometric shapes into recognisable figures. Crudely at first, but as he got more adept at this, the fish, birds, lizards, beetles, butterflies, horses and other animals and shapes kept getting more refined. The drawings were a form of research, but he also drew from them ideas for new work or for commercial assignments.